Diari deTerrassa
Friday, April DeMarzo 2011
Review by Felix Riaz
to elviernes, March 4, which truly like of art, its refreshing inagotablesy conceptions, it is worth to be
ymediano large size of these pieces offer, every attentive spectator, a plurality profundalectura expressionist whose staff has the visitors partnership models based on the sensitivity of each receptive. So quetales creations, always supported by a three-dimensional plastic force, indicate that the participation of colored leaves valoressubjetivos intense exposed in the light, shadows, the heterogeneous forms sobredistintas flat surfaces leads to a complex and beautiful The Vision geometry guessed where internal energy Josep Prisons.
And employing numerosasmaterias do any work can be repetitive conceptosestéticos. Meanwhile, with such wealth and technical skill, the author consigueque lines, ranges and even the hidden poetry of these cuerpossalientes, achieve narrative symbols while literalmentecomunicativos. For example, bring such relief sculptures, one or the other, lapresencia acrylic, enamel, oil paintings, river sand, polyester resin and acid oxides, pumice, wood, stainless steel, and so on.
Based on this, Josep Prisons achieved in these interpretations displayed Escola Industrial , ysugerentes accurate ways to delve into the indefinite space. Thus we see, entreotras in "Dona'ti ET will be donat", "Cosmic Circle", "Genesi", "Tomorrow", "Llum", "Homage to Gioconda" and so on.
In any event, exhibitions like this left in the mind of the dilettante, the desire to know lavenidera exposure, how Josep Prison widens its talentodescriptivo, wealth volumetric color as well as your reference so uniquely yours laiconografía peculiar.
Felix Riaz
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